Soft psych magnum opus. The cover is not in mint condition, but it has been well preserved, with only minor rubbing and slight discoloration from age. There are no tears or splits, which is a good impression, indeed. The record is nearly unblemished!
The cover is in shrink wrap and has a very rare hype sticker attached to it. This hype sticker indicates that two moon photographs are included. Indeed, there are two moon photographs. The record is in outstanding condition throughout, except for a mark on B-3 that does not affect the sound.
A better-known Japanese Samurai that showcases a blend of Western prog rock and Eastern orientalism in its sound. Original first pressing housed in a gatefold cover. It's tidy except for a 7cm clean split in the top seam from the opening edge. Includes insert (a bit soiling), but no Obi. The record is basically clean, shiny, and mostly play-graded as Near Mint, but there is an almost invisible micro (3mm or less) mark on the middle of side 2, which causes consistent light clicks about 40 seconds in a quiet section, but the rest plays flawlessly.
As indicated by the title, this album serves as a precursor to the Globe Unity Orchestra and represents a significant milestone in the early days of free jazz, featuring prominent figures from the German jazz scene. Notably, it includes the participation of a young J. Liebezeit from Can and M. Neumeier from Guru Guru, the most important drummers in Krautrock. The gatefold cover has a minor imperfection on the top seam middle that is not very noticeable, but otherwise, it is well-preserved, and the lamination gloss is full. The record itself is in excellent condition with minimal signs of use! This is a rare first pressing from Saba, not the later MPS pressings.
Wonderful Xian AOR sweetness that will move you for sure. Still unopened Sealed, but there is a very small tear on the shrink at the middle of the front cover, and slightly scratching. Not particularly noticeable, but have to be mentioned just in case.
Acid-tinged psych folk album with the support of the label mates, Mighty Baby, with dark, eerie atmosphere here and there. The textured cover has a small crack at the bottom, yet has not split. There are also a few light stains, but overall, it is in decent condition despite its fragility. The often missing insert is securely included.
Under the radar, Xian soft rock outfit plays jazzy, a bit of Brazilian-flavored pop and mellow grooves with cool harmonized male/female vocals, dreamy songs, and pleasant horns hook. The highlight of the album is on B-3 called "Shalom," which is so damn good with unforeseen trippy psych guitars.
The gatefold cover is tidy and crisp, except for a little scuffing on the corners and bottom seam. The record plays cleanly from start to finish with only superficial marks that do not affect the sound. There is no black inner.
DIY soft rock SSW pre-AOR features a gentle and mellow folk sound, chill-out free soul, and numbers that are ahead of their time in the dream pop genre. Despite its handmade feel, the consistent sound reflects the artist's unique sensibility, creating a strangely pleasant experience. Includes an insert.
This is the rarest and most obscure of the three albums released by Californian AOR singer-songwriter Rick Sharp on his label. There is some water damage on the top left corner of the cover due to careless storage in a warehouse, but it is not too noticeable. The record is slightly warped, and there is a slight background noise in the opening of side A, but it soon disappears when the music begins.
The legendary prog rock and jazz fusion organist Don Shinn, whom Keith Emerson greatly admires, delivers an exceptional Hammond-dominated deep psych funk jazz groove. The record has plenty of scratches and scuff-type marks that sometimes create prominent background crackles, but overall it plays strongly. This is the second album, known to be even more difficult to obtain than the first, released in the same year.
Demo made only another unknown Japanese private. First side is a mixed bag with funk oriented to rock and blues although guitar playing is stupendously heavy. Second side is more into heavy fuzz laden hard rock with brutal vocals, amazing guitar mayhem, psychy effects floating around. Last track is outrageous! Half Japanese and half English vocals. Comes with insert. Record has a few visible surface scuffs, but none of them are audible.
Mysterious folk psych prog with a melancholy, gentle atmosphere and fairytale-like, fanciful tunes that evoke a similar vibe to Genesis in the Foxtrot era, but it's not as skillful or professional as that. The album is somewhat underrated due to its boring cover art, but it is a well-done private pressing, considering the independent US prog rock scene.
A beautiful example of a German rarity whose price has risen lately. This singular psych album from a German four-piece outfit draws inspiration from Quicksilver and Mighty Baby. It features solid guitar work, tight rhythm sections, and strong English vocals, all delivered in a distinctly Krautrock recording manner. This results in a unique identity not present in comparable groups in the UK or the US.
A relatively obscure Nebraska-based horn rock band that primarily consists of original songs with a basement psych atmosphere, as well as a few lounge rock covers. The swinging thick Hammond, the crude fuzz guitar, the Mystic Siva-esque teen vocals, and the wild horn section blowing away.
This Minnesota Xian folk-psych trio plays pure, straight-ahead acoustic folk. While the flip side takes a surprising turn, offering a range of intense fuzz-fueled tracks to extended acid numbers, reminiscent of All Saved Freak Band or Drendall/Thrower. The record shows minor scratches and surface scuffs, but they barely affect playback.
Produced by Todd Rundgren, this is essentially the first album by Sparks. Originally, the band was named Halfnelson, but they changed their name to Sparks immediately after this release, also altering the cover art and reissuing it within the same year. This is a rare first pressing with the original cover under the Halfnelson name! Remarkably, it has been found still sealed and unopened!
The cover is decent with light wear along the spine. The record shows a number of faint scuff-type marks only visible under intense light. A small scratch on the end of B-1 that absolutely does nothing. It plays NM from side to side. Comes complete with six inserts which were stapled.
Born in California, moved to Canada as a child and continued her steady musical career. This is her only album, a country-inspired folk pop album that strikes a perfect balance between traditional and contemporary elements, creating a warm and comforting atmosphere. Unopened Sealed copy. The center area of the top seam is slightly cracked yet not split.
Underrated folk psych involved more diversity and originality than you might imagine. The record has minor scratches and scuffs here and there. It plays throughout fine with some brief ticks. However, most of these occur during the silent sections between tracks, so they do not significantly hinder the listening pleasure.
Very seldom seen private prog psych out of Austin, Texas. Donft be fooled by the release date, these boys look like they are from the early 70s, and their music reminds me of the good old days with killer guitar leads, some outsider moves, and very crafty, lengthy tracks. Includes an insert which has odd illustrations drawn on it. Dedicated to John Bonham on the back cover, bottom.
This is a hidden gem of Scandinavian folk psych featuring Thomas Mera Gartz and Jakob Sjoholm, ex-Trad Gras. The lonely, languid female vocals and the acid-soaked performance, with hints of an Eastern-oriented hippie vibe, create a completely stoned atmosphere. Recommended for fans of Trade Gras, Handgjort, and Frekaaben. Includes inserts.
The unique gimmick window cover has been cut open as usual, but it was done carefully, so it's not too bad to look at. There are also decent conditions around the gimmick window. An original Edison sticker is affixed to the front upper right.
Girls pop psych from Quebec, Canada. Fans of Daisy Chain and GTO's should not miss this! It is quite a rare record. Particularly, decent copies are seldom seen. The record has a few light marks, but they have minimal impact on the background, and playback is fairly good.
Brutally Spanish hard psych with rapid-fire rhythm sections and killer fuzz bleeding all over the place. The cover is quite thin and made of flimsy material, so itfs difficult to find NM covers. This one is relatively clean, perhaps the finest Ifve seen in the last 10 years. Therefore, do not hesitate. Includes an elusive insert, too!
A cult acid psych folk rock, alongside Comus. Their elusive second album, despite its pastoral feel, deepens the complexity beyond that of their debut, while the band's ensemble gains richness, creating a unique sound with a Van Der Graaf Generator-like aura. The gatefold cover is unlaminated, showing light wear and minor soiling, but it is overall in above-average condition. There is a small dent at the bottom of the back cover. The record shows fine paper scuffs but plays well without issues.
DIY psychedelic outsider oddity, one-sided album, housed in a plain disco cover. Ultra-crude, quirky freakout music that's like a completely disjointed Zappa or Beefheart take on a smashed-together sound, with elements of the Fugs thrown in for good measure. Only the most hardcore collectors in the US know about this album!
Famous for its eye-catching psych/prog cover art. It's a catchy, melodic, and fast-paced sound that draws on UK prog but also incorporates US AOR hard rock. The record displays several light marks and shallow hairlines, but those are barely audible.
The cover is solid, with a nearly pristine front exterior and a fully intact spine and seams. The back cover shows the beginning of ring imprints and some names written on the blank area, but nothing too obvious. The record has light scuffs and a couple of shallow hairline that are almost inaudible.
Kali Bah aka Kalassu Wintergate and her housband Johnn Wintergate disbanded Light Storm and Creation Earth One, then they create another gem into glam rock direction but yet cosmic and spiritual. A pristine copy, the cover is still in shrink and a sticker fully intact. It has a repeat spot on B-1 that supposedly all copies have due to the pressing fault. I had another copy from a different source that also had the same issue.
Marvelous Malaysian progressive rock with dominant synth, organ, various keys reminiscent of the first Cosmos Factory! The record plays with modest crackles and occasional pops due to its low-tech pressing, but they are not too disturbing, considering the quality of those Southeast Asian vinyls. Includes an insert (some stains and light discoloration).
An obscure female vocalist, SSW, hailing from New Orleans. The influences of Joni Mitchell and Carole King are apparent, yet the overall sound conveys a surreal, floating sensation akin to that of Linda Perhacs. However, it does not exhibit the intense acid quality of Perhacs, instead offering a more emotional and pleasant experience, enveloped in a refreshing morning fog. The record has a small scratch on B-1 that intermittently produces a slight clicking sound for a short duration, but the majority of it is in fine condition.
This is their third and final album, released only in Italy. The previous two albums were overwhelmingly powerful, heavyweight blues hard rock, while it's in a mainstream direction. The performances themselves are as powerful and sharp as ever, and, above all, the songs are catchy, with a wide range of musical styles from funk to prog rock. Considering this is a completely different band from the previous two, this is a pretty solid album for hard rock buffs.
A mysterious creation by a DIY folk-pop singer-songwriter, limited to just 100 copies, housed in a primitive-looking drawing cover, yet the sound is unexpectedly beautiful, filled with poignant, sentimental songs that tug at the heartstrings. It is a remarkable work infused with the warmth and emotion of homemade craftsmanship. Nevertheless, being a basement recording, it possesses a magical quality that can attract Acid Archives-type enthusiasts. The handmade-style paste-on cover displays signs of aging, including yellowing and stains, but there are no serious defects, and it looks quite good overall. The label on side A has been accidentally applied twice, with the upper paper showing some lifting and minor edge tears, yet the record itself is in very clean condition.
There is light to moderate seam rubbing, but the spine is intact. There is a sign of shelf wear on the rear upper, but the front exterior is relatively clean. The record is well taken care of, with glossy, beautiful labels. It includes a black inner that has a few tears.
In the realm of private pressing in Germany, where many items are highly sought after, there exists a particularly striking, skillful prog jazz rock. It is clearly influenced by Canterbury school, Jethro Tull, and Supersister, and is both technical and imbued with a psychedelic tendency. The gatefold cover, with an inner sleeve attached inside, is prone to damage. However, it appears to have been handled with care, as there are no noticeable damages. On the left side of the front cover, there is a sticker reading 'I Like Tortilla Flat waouuhhhhh,' which is not commonly seen elsewhere. It seems to match well, suggesting it is likely from the time of release. Yes, it has silkscreening on the front cover, and the labels have a white background (counterfeits are unsilkscreened with beige labels).
Been told only 100 copies pressed, Missouri's blues rock psych contains Airplane-like female vox and raw fuzz bomb with a hint of Blue Cheer and MC5 brutality. Housed in a gorgeous gatefold cover that is in pretty neat condition despite being fragility. Slightly yellowing along the spine, but otherwise nearly faultless.
One of Italy's finest key prog gems, famous for its gold foil gatefold cover, which always suffers some damage. However, this copy is relatively stable. No, it's actually quite decent. It may be the best condition I've seen in at least 10 years! The most existing records of the album also have many scratches for some reason, but this one is in much better condition than usual. If you are not particular about beautiful copies, this is a lovely example for sure.
Obscure AOR lounge pop couple from Arizona. The soulful singing and rich arrangement with extensive use of synth, especially the title track, indeed leave a deep impression. The cover is a bit tatty. Some white marks on the front, modest shelf wear on the rear, and partially@fraying along the opening edge.