Ex-Placebo and Sunbirds fame, this is his first solo effort, a tremendous jazz-funk fusion with Marc Moulin helping out. The cover is tidy and crisp, except for evidence of the name written on the front top left, which was already erased. Only visible from certain angles.
The gatefold cover has age-related stains, mildew spots, and modest yellowing, but the seams are intact, and there are no other noticeable faults. The record has minor paper marks only, and it plays throughout beautifully. It includes a Swirl inner (which has a tiny rip).
Tremendous double album housed in a splendid gatefold cover with attached inner pages intact. There are some creasing, minor spots, a few rips, and slight ring imprints, but overall, itfs well preserved despite such unusual packaging. Both records look clean, with general signs of handling. There are no scratches or ugly marks. Quite a nice example from down there. Labels say 1975 on the first disc and 1976 on the second disc, in case someone cares about the variant.
Dutch heavy psych stoner, with Tull-ish flute, savage fuzz assaults, and thundering rhythm section. Saw them 12 years ago at Utrecht Record Convention, and they were still rocks. The cover shows a sign of the long storage on the rear, but the front is tidy and glossy. The record has a small amount of paper marks, plays superb from side to side!
Without a doubt, this is an indispensable heavy prog beast if you are seriously into Italian prog. The textured gatefold cover has light shelf wear but is well maintained. The spine is perfectly legible. The record is Top, and it looks like it has been hardly played!
Very flimsy unipak cover has some restoration spots with a black felt-tip, but not too remarkable. The upper spine and lower have fraying and tearing, but overall it still looks OK despite the fragile nature of material. The record has some light marks that barely affect playback. Plays throughout mostly fine without noticeable crackles.
This is the first pressing independent label release housed in a giant poster sleeve with blue ink inner poster and in superb condition with inevitable light creasing around the fold. The record is nice, too, and it looks like not much played. Though itfs not the best pressing due to the budget made.
The copy is a bit rough, but itfs a beyond-rare guaranteed original pressing of the spaced-out Krautrock monster. The cover has some restored spots, but it looks not that bad. The record has a fair amount of marks and hairlines, but the playback is mostly fine, with some clicks and occasional background crackles.
Very weird-looking cover, seemingly typical private outsider crap. But this one is surprisingly cool Canterbury school jazz-rock in the Soft Machine vein and a bit of experimental fusion inspired by Zappa albums in that period. The cover shows minor discoloration and a few smudges, but it is nice and intact overall. The record looks and plays pristine, except for the very end of side two, which has a bit of the usual pressing debris.